2025国际艺术殿堂 中国领军人物——郭银峰

前言

艺术，是跨越国界的通用语言，它以独特的方式记录着人类文明的辉煌与变迁。在国际艺术的广阔舞台上，中国艺术家们以其深厚的文化底蕴、独特的艺术视角和精湛的技艺，为世界艺术宝库贡献了无数瑰宝。他们不仅在中国艺术史上留下了浓墨重彩的一笔，更在国际艺术殿堂中占据了举足轻重的地位。

自古以来，中国艺术便以其独特的魅力和深邃的内涵吸引着世界的目光。从古代的书法、绘画、陶瓷到现代的雕塑、摄影、新媒体艺术，中国艺术家们不断推陈出新，将传统与现代、东方与西方巧妙融合，创造出令人瞩目的艺术作品。这些作品不仅展示了中国艺术家的才华与智慧，更传递了中国文化的精髓与魅力。

在国际艺术殿堂中，中国领军人物们以其卓越的艺术成就和广泛的影响力，成为了连接中国与世界艺术的桥梁。他们不仅在各自的领域取得了非凡的成就，更通过国际交流与合作，推动了中国艺术的国际化进程，让世界更加了解和欣赏中国艺术。

Art is a universal language that transcends national borders, recording the glory and changes of human civilization in a unique way. On the vast stage of international art, Chinese artists have contributed countless treasures to the world's art treasury with their profound cultural heritage, unique artistic perspectives, and exquisite skills. They not only left a significant mark in the history of Chinese art, but also occupy a pivotal position in the international art hall.

Since ancient times, Chinese art has attracted the attention of the world with its unique charm and profound connotations. From ancient calligraphy, painting, and ceramics to modern sculpture, photography, and new media art, Chinese artists constantly innovate, skillfully blending tradition and modernity, East and West, and creating eye-catching works of art. These works not only showcase the talent and wisdom of Chinese artists, but also convey the essence and charm of Chinese culture.

In the international art hall, Chinese leading figures have become bridges connecting China and the world of art with their outstanding artistic achievements and extensive influence. They have not only achieved extraordinary achievements in their respective fields, but also promoted the internationalization process of Chinese art through international exchanges and cooperation, allowing the world to better understand and appreciate Chinese art.

郭银峰，1949 年生于甘肃庆阳。1968 年参军，先后在西藏军区、成都军区、解放军西安第二炮兵工程学院、解放军西安政治学院工作，正团职，上校军衔。1994 年转业后供职于陕西省人大办公厅，任厅级巡视员。郭银峰作品油画《放学以后》获 1988 年全国书画展一等奖。国画《黄河颂歌》获 2002 年韩国国际书画大赛最高奖“国际功勋奖”。国画《梅花寒香图》2009 年获全国国画展一等奖。国画《我的同学》获 2010 年全国第十四届大地之歌书画展一等奖。2011年在北京人民大会堂举办书画作品展暨高层艺术研讨会。2012 年，郭银峰在法国卢浮宫举办书画展，受到国际友人高度评价。现为亚洲书画家协会副主席，胡润国际书画艺术鉴定中心副主席，全国书画艺术委员会副主席，中央美院客座教授，中国国家高级美术师，国家特级书法师，西北书画研究院院长，英国牛津艺术学院客座教授博士生导师，陕西省人民政府参事室文史馆研究员，亚洲博鳌艺术中心研究员。2021 年分别被授予“祖国优秀艺术家”“书画艺术楷模”建党一百年被授予“德艺双馨人民艺术家”荣誉称号，“世界文化艺术形象大师”“中国国家艺术形象代表人物”“中国功勋人物”等荣誉称号。2022 年被特邀成为沈鹏书法艺术工作室专家组高级理事。重点推荐为“中国艺术大家”“人民书画家”“华夏儿女优秀艺术传承之星”“党旗下的艺术大家”称号。授予郭银峰“2023年度全球十大杰出风云人物”，“中国艺坛2023年度优秀艺术家”，“威尼斯双年展——特别推荐艺术家”，文化和旅游部授予“优秀书画导师”，“中国当代世界级艺术家”，“一带一路文化形象大使”“中国国礼特供艺术家”。2024年入编大红袍合集书。

Guo Yinfeng was born in Qingyang, Gansu in 1949. He joined the army in 1968 and successively worked in the Xizang Military Region, the Chengdu Military Region, the Second Artillery Engineering College of the People's Liberation Army, and the Xi'an Political College of the People's Liberation Army. After changing jobs in 1994, he worked at the Office of the Shaanxi Provincial People's Congress as a department level inspector. Guo Yinfeng's oil painting "After School" won the first prize at the 1988 National Painting and Calligraphy Exhibition. The traditional Chinese painting 'Ode to the Yellow River' won the highest award of the 2002 Korean International Painting and Calligraphy Competition, the 'International Merit Award'. The traditional Chinese painting "Cold Fragrance of Plum Blossoms" won the first prize at the National Chinese Painting Exhibition in 2009. The traditional Chinese painting 'My Classmate' won the first prize at the 14th National Land Song Calligraphy and Painting Exhibition in 2010. In 2011, a calligraphy and painting exhibition and high-level art seminar were held at the Great Hall of the People in Beijing. In 2012, Guo Yinfeng held a calligraphy and painting exhibition at the Louvre Museum in France, which was highly praised by international friends. I am currently the Vice Chairman of the Asian Calligraphers and Painters Association, Vice Chairman of the Hurun International Calligraphers and Painters Art Appraisal Center, Vice Chairman of the National Calligraphers and Painters Art Committee, Visiting Professor at the Central Academy of Fine Arts, National Senior Artist of China, National Special Grade Calligraphy and Painting Master, Dean of the Northwest Calligraphers and Painters Research Institute, Visiting Professor and Doctoral Supervisor at the Oxford School of Art in the UK, Researcher at the Cultural and Historical Museum of the Shaanxi Provincial People's Government Counselor's Office, and Researcher at the Boao Art. In 2021, he was awarded the titles of "Excellent Artist of the Motherland" and "Model of Calligraphy and Painting Art" respectively. In the 100th anniversary of the founding of the Communist Party of China, he was awarded the honorary title of "People's Artist of Virtue and Art", as well as the titles of "Master of World Cultural and Artistic Images", "Representative Figure of China's National Art Image", and "Meritorious Figure of China". In 2022, I was specially invited to become a senior director of the expert group of Shen Peng Calligraphy Art Studio. Highly recommended for titles such as "Chinese Art Master", "People's Calligrapher and Painter", "Outstanding Art Inheritance Star of the Chinese People", and "Art Master under the Party". Guo Yinfeng was awarded "Top Ten Outstanding Artists in the World in 2023", "Outstanding Artists in Chinese Art Circles in 2023", "Venice Biennale - Specially Recommended Artists", "Excellent Calligraphy and Painting Tutor", "Chinese Contemporary World Class Artists", "Cultural Image Ambassador along the the Belt and Road" and "Chinese Artists for National Rites" by the Ministry of Culture and Tourism. In 2024, it will be included in the compilation book of Da Hong Pao.

借古开今,笔墨随时代。西为中用书画有建树！

明末清初著名画家石涛在一则画跋中有过“笔墨当随时代”一说。他的这一名言既勾勒了中国绘画风格发展变化的轨迹也说明中国绘画的历史是一部运动的、发展的历史。

国家高级美术师郭银峰老师数十年来如一日在国画传承发展上孜孜不倦。他深入研究古人绘画造诣从中不断汲取营养丰富自己的艺术理论。同时他常走进生活捕捉和发现自然之美开拓艺术视野将传统国画的精髓和来源于生活的灵感结合进行创作取得了一个个堪称辉煌的艺术成就。

Borrowing from the past to open up the present, brush and ink follow the times. Xiwei has made great achievements in Chinese calligraphy and painting!

During the late Ming and early Qing dynasties, the famous painter Shi Tao wrote in a painting postscript that "brush and ink should follow the times". His famous quote not only outlines the trajectory of the development and changes of Chinese painting styles, but also indicates that the history of Chinese painting is a history of movement and development.

Guo Yinfeng, a national senior artist, has been tirelessly promoting the inheritance and development of traditional Chinese painting for decades. He conducted in-depth research on the painting skills of ancient people and continuously drew nourishment from them to enrich his artistic theory. At the same time, he often delves into life to capture and discover the beauty of nature, broadening his artistic horizons and combining the essence of traditional Chinese painting with inspiration from life to create brilliant artistic achievements.

在书法创作上他师古而又能创新笔走龙蛇之间展现的是他成竹在胸的文化底蕴挥洒自如亦是他多年笔耕不缀的结果。笔墨纸砚之上随手拈来的不仅有唐诗宋词的豪迈更有他自拟的警句名言使他的书法作品自成一体、独具风格。

中国悠久文化艺术的形成从来都不是闭关自守,固步自封的结果。风靡西方的油画自引入中国之初便面临着如何与中国文化相互融合的课题。特别是百余年来一代代优秀的油画家以其崇高的文化理想和社会担当立足

当代中国的文化现实不断探寻着油画语言本土化的路径。

In terms of calligraphy creation, his ability to learn from the ancients and innovate his brushstrokes showcases his profound cultural heritage and his ability to freely express it, which is also the result of his years of hard work and dedication. On the brush, ink, paper, and inkstone, one can easily pick up not only the grandeur of Tang poetry and Song lyrics, but also his self composed aphorisms and famous sayings, making his calligraphy works stand out and unique in style.

The formation of China's long-standing culture and art has never been the result of isolationism and self isolation. The popular oil painting in the West has faced the challenge of how to integrate with Chinese culture since its introduction to China. Especially for over a hundred years, generations of outstanding oil painters have established themselves with their lofty cultural ideals and social responsibilities

The cultural reality of contemporary China is constantly exploring the path of localizing oil painting language.

画家郭银峰不仅在传统国画和书法创作上颇有建树其在油画创作上也是让人眼前一亮。早在1988年他的油画作品《放学以后》就荣获全国书画展一等奖。更是在2012年10月于西方最高的艺术殿堂——法国卢浮宫举办个人书画展获得圆满成功。

作为集中国传统书画和西洋美术创作大成于一体的著名艺术家郭银峰始终走在时代前列。他在书法、国画和油画创作上切换自如能根据自己的艺术思想进行完美的表达。创作的多幅作品均以内涵博大精深画面细腻震撼而著称包含了人与自然、自我与世界的交融。这种“中西合璧”并非是简单地拼凑而是将东西方不同的文化元素进一步融合、创新。从而展现出新颖、独特的艺术风格使笔下作品别有一番情趣展现了具有东方文化属性的新时代艺术家的鲜明特征。文/章缄珺（美术评论家、作协会员）

Painter Guo Yinfeng not only made great achievements in traditional Chinese painting and calligraphy, but also impressed people with his oil painting creations. As early as 1988, his oil painting "After School" won the first prize at the National Painting and Calligraphy Exhibition. In October 2012, he successfully held a personal calligraphy and painting exhibition at the highest art hall in the West, the Louvre Museum in France.

As a renowned artist who combines traditional Chinese calligraphy and painting with Western art creation, Guo Yinfeng has always been at the forefront of the times. He is adept at switching between calligraphy, traditional Chinese painting, and oil painting, and can express himself perfectly according to his artistic ideas. Many of the works created are renowned for their profound and profound connotations, delicate and stunning images, and the integration of human and nature, self and the world. This combination of Chinese and Western cultures is not simply a patchwork, but a further fusion and innovation of different cultural elements from the East and the West. Thus, it showcases a novel and unique artistic style, giving the works a unique charm and showcasing the distinct characteristics of a new era artist with Eastern cultural attributes. Wen/Zhang Jianjun (art critic, member of the Writers Association)